Road Tunes: The Soundtrack Behind Catch a Cure

Clarence
Fishing with Clarence Clemons in 2010 was a dream come true.

“Without music, life would be a mistake.” – Friedrich Nietzsche

This quote is one that, depending on which stage of life you’re in, might make sense to a greater or lesser degree. If you’re a young person inundated with the various forms of streaming music, free music, YouTube music and every other kind of music, music might just be a constant part of life you are able to take for granted.

If you’re a little bit older, and remember getting a cassette for your birthday, that you could put in the tape deck of your first car, maybe music for you, like me, is the soundtrack to escape, freedom and discovery that paves the potentially rocky path from adolescence into adulthood.

I said recently in a blog that part of the reason behind Catch a Cure was my love for the open road, but that’s only part of the story. Were that ride down the East Coast and out to the Pacific, or that first Catch a Cure, or this most recent one, a quiet one… it might not have been undertaken.

On the road, with the right radio station on, the little nagging thoughts in your head, the worries, concerns, the self-doubt, fear or anxiety…those bumps seem a little smoother as you roll over them, the shocks in your soul respond a little more lovingly, forgivingly.

We all have our own music, and the fact that it is ours, that we discovered it, however we did, is part of what makes it so endearing to us. But the true beauty of music is that, no matter how personal it is to us, we get to share it with a community of people we might not know otherwise. If you are the only fan of a given musician or band, well… I think you’re mistaken if you believe that you are.

With that in mind, in hopes of connecting with more of you music-lovers out there, here are the top three bands that kept the bumps in the road on both journeys less jolting, because the musical shock absorbers were there to help me take them in stride.

Bruce Springsteen and The E-Street Band: This guy, and his musical catalogue, almost defies any attempt I’d take at describing what he means to his fans. I fell in love with Bruce at the age of 18, and 13 concerts, one tattoo, and one trip fishing with saxophone player Clarence Clemons later… suffice it to say it’s only gotten worse. I am one of those Bruce nerds who could debate the different lyrical versions of Thunder Road with you well into the wee hours of the morning, and if you’re of a similar mind, I hope we fish together some day. But for those of you who aren’t, I’ll quit rambling romantic about the Boss. Suffice it to say he is, and always will be, number one in my book, my first radio pre-set, and a concert I’ll always try to make it to if it’s at all possible.

Pearl Jam: I believe in a lot of ways these guys inherited the Rock throne from Bruce, or at least co-occupy it at the moment. They’ve stood up in defense of important social issues, they’ve written passionately about the political climate in America, and year after year, they’ve produced important, incredible and highly enjoyable music. Like Bruce, Thank God, they have their own Sirius radio station. I once drove 14 hours to Alpine Valley, Wisconsin, and slept in a parking lot for two nights, to attend Pearl Jam 20, the celebration of the band’s 20th anniversary.

The Gaslight Anthem/The Horrible Crowes: I’m grouping these bands together, because they’re headed by the same frontman, Brian Fallon of Red Bank, New Jersey. If Bruce is the old guard in my musical collection, and Eddie Vedder’s the now-accomplished Rock Star, I think Brian Fallon of the Gaslight Anthem is the budding “future of rock and roll.” (Bruce nuts will get that reference…) When I lived in Red Bank, I’d run into these guys once in a while and they could not have been nicer. I’ve seen them in concert a handful of times now, and Fallon is equal parts rebel and poet, and I’m hoping his bands, his solo projects and his musical efforts are the beginning of a career as long as Bruce’s.

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